Posts Tagged ‘Mac’

Torchlight appeals to so many of my idiosyncrasies that I am bemused as to why its spiritual predecessor Diablo never appealed to me. Both offer lush fantasy settings and the draw of improved equipment with every vanquished foe that fuels my obsessive tendencies. Maybe I have simply matured as a gamer, or perhaps it is Torchlight’s refinements to the point-and-click, loot hording, action RPG genre that have me enamored.

Every change Torchlight has made to Diablo has focused on making it more appealing to newcomers. Most obvious of these changes is the appearance. A brighter palette, while remaining moody, adds lightness as do the exaggerated characters in the 3D world.

A distinct style made up of bold colours compliments the games mood perfectly.

Alterations are not limited to visuals; tweaks to gameplay also take center stage. Foremost among these additions is the inclusion of a pet. These little critters not only provide space for items and additional powers (cue skeleton summoning dogs), but also deliver the greatest innovation over Diablo, personal shoppers. Loading up a pet with unwanted loot will see them disappearing back to the town of Torchwood to sell it. It’s a tiny change, but one that released me from the burden of excess items, while stilling reaping some of their benefits.

At $20 it is hard not to recommend Torchlight. Accessible, dip in and out gameplay offers a fun distraction. Though the game is quite short the attraction of harder difficulties and increasingly powerful items prove a constant draw, for me at least.

A labor of love for developer Bioware, Dragon Age: Origins offers classic D&D gameplay. With an emphasis on character interaction, the game makes interesting use of a simple morality system to form some unique party politics.

Games always task us with saving the world, which can make it hard to focus on the little things. We make assumptions that our party will unquestioningly follow us to their deaths however we behave. Not so in Dragon Age, because this is a game where party members have a choice, and the ability to leave.

I played the PC version, which (anecdotally) offers a better experience than the console ports.

It was my party that formed the heart of my experience with Dragon Age. RPGs always see me playing the good guy, helping the people I meet with problems and solving situations in the best way possible. But in Dragon Age decisions are often grey, and the wrong choice can lead to me alienating a party member who disagrees with my leadership.

Having acquired every character I was met with the task of balancing their interests. Not offending a templar may not seem difficult, but it becomes a challenge when others are urging you to use dark magic to expedite a quest.

At its basest level party management is just the binary morality system seen in many RPGs, but with each party member carrying their own values. It’s a simple mechanic that creates fascinating interactions and managed to draw me in far more than the epic mission I was tasked with ever could.

Darren is back just in time for a semi-festive show. We spend most of our time catching up on the last few months events and our respective holiday breaks but in the process we do touch on lots of games in-between our stories.

As I said last show do not expect Dans wonderfully detailed show notes every week, and this week serves only to reaffirm that declaration. I can tell you that you can expect us to talk about all the games we played recently, Red Dwarf, bad commercials, me pissing myself, me being taunted by hordes of nerds, the upcoming 2010 releases and our vacations. Unfortunately even with Darren back there is no Frakkers this show, but we do have some music and the return of Darrens Old Games.

Hopefully 2010 will mark a more regular schedule for The DoFuss Show as we stream line the formula, but we make no promises. Enjoy the show and keep an eye on the site this month for some gaming memories of the last ten years.

I am trying to get back in to oil painting, Darren insists on Twitpic updates so keep an eye on that if you care.

 Craig Charles had far too much to do with it. [71:33m]: Play Now | Play in Popup | Download

In a year that has seen the industry losing momentum in the face of the economic down turn and many games moving in to Q1 2010 it is hard to pretend that this was the best year for gaming. It is a however year that saw a more constant release of quality titles through out the year than long term gamers have come to expect. It is a trend that looks set to continue; though I do with they would give me a little time to recover from the (still inevitable) Christmas rush.

Due to the general difficulty for me to importing Wii titles my focus has unfortunately slanted away from Nintendo’s device this year. This combined with the iPhone dominating my mobile gaming, it seem looking back that I may have missed a number of titles that some would consider key to this year line-up. But my time is not infinite, and nor are my pockets, so while I have tried a wide array of title some have naturally fallen by the way side.

All that aside I have played a lot of incredible games this year, and honourable mentions for those that didn’t make my top five should are in order. From the downloadable games of the year we have Drop 7 the iPhone, a title that took more of my commuting (and toilet) time than I would care to admit. But it really became worrying when I was choosing to play that over my PS3 and 360. Canabalt, again on iPhone should also be mentioned. A simple platformer with a one-touch interface that proved endlessly entertaining especially as updates arrived, slowly adding new twists to the simple formula. Lastly there are Trials HD on XBLA (which kept me entertained for more hours than banging my head against a brick wall theoretically should) and Pixeljunk Shooter on PSN (that arrived to lick my bleeding forehead).

Trials HD, the gaming equivalent of having your junk trapped in an elevator door.

‘Big games’ that didn’t make my cut has the best licence game of the year, Batman Arkham Asylum narrowly missing the five spot. Its fantastic use of the licence and mind-blowing Scarecrow sections were only slightly marred by its weak ending. Earlier in the year I was loving Street Fighter 4, a nostalgia endued two week coma followed, which could well have taken over the year had I had more local opponents to play with. Mad World for Wii was an incredible and entertaining little brawler that slipped in to wean me of my Street Fighter addiction. It brought some more content to Nintendo’s family machine, but never received the sales it deserved. The summer drought was more muted this year that in the past, but it was still there which gave InFamous a chance to shine as I played it to completion twice, thanks to its variety of missions making it constantly entertaining.

But enough of the preamble and games that didn’t make the grade, what did rise above the other flotsam in 2009? It is a somewhat fluid list, in that ask me tomorrow and it may be slightly different but these five (plus maybe Batman and InFamous) are the games that year have stood above all of their competitors’. So ignore the numbers and just take my word for the fact these are game you owe it to yourself to at least try.

5 – Resident Evil 5 (Multi)

Any who talked to me while I was playing RE5 would have heard me complain about indefinable flaws I found in the game. How it wasn’t scary, or a horror game and how it didn’t ‘feel’ like Resident Evil. I stand by those comments, for me it wasn’t as good as the original game or Resident Evil 4, but when those stand as two of the games dearest to my heart that isn’t as damning as it may sound. Resident Evil 5 kept me coming back for months. I earned every achievement, unlocked every… unlockable… and finished the game some seven or eight times.

Yes, characters still controlled like a tanks, but that is Resident Evil, there are only so many changes you can make before you should really just do something else (which for the record I hope they do now). Despite this the game remained fun with just the right mix of hammy acting to keep it entertainingly bad without being horrible. Combine this with the ability to dip in and out of stages at will and it kept me coming back for both solo and co-op play long after I would usually have put it back on the shelf.

My Chris what absolutely colossal arms you have.

4 – The Path (PC/Mac)

Beautiful, evocative and magical, you would be forgiven for never having heard of this (primarily) downloadable PC/Mac title. Taking inspiration from Little Red Riding Hood the game allows you to control one of seven girls on their adventurer to grandma’s house. There is little for the player to do but direct their girl on their journey to the house (or off into the forest), but left alone near items in the world they will interact and their story and personality.

Defiantly a more relaxed, almost passive, experience compared to most games it is really only for a select group who have an interested in narrative and expression in games. Those that fit this bill will find a Grimm Fairy Tale experience unlike any other title on the market.

On of seven Little Red Riding Hoods, heavier on the 'Red' than the 'Hood'.

3 – Uncharted 2 (PS3)

It is an over used expression but describing Uncharted 2 as cinematic is the only way I know to accurately describe it’s presentation. Some of the most breathtaking graphics and voice work yet seen on a home console combine with set pieces that would not be out of place in an Indian Jones movie to create an experience which is almost as fun to watch as it is to play.

Entertaining start to finish (and with a good multiplayer if you are so inclined) it no sits as a game that I will keep to revisit in the future in the same way I would a movie. It isn’t about the gameplay, which is the same rinse and repeat formula almost though out (bar the stunning train level), it is about the Christmas afternoon action movie. The film I used to watch as a kid that I now own on DVD and keep on a shelf, just to give me a warm fuzzy feeling when I look at it.

Drake looking intense. I don't remember why exactly.

2 – Dragon Age: Origins (PC)

Released the latest of my top five Dragon Age Origins has the advantage of being the freshest in my mind, but having pumped neigh on forty hours into the game in the last three weeks I can declare this one of the best of the year. It isn’t pretty, the game went into development some time ago and the engine seems to have only undergone some mild tweaks since it began. Its lack of visual pizzazz however is more than made up for by hours of unique dialogue delivered by its superb cast. It sucks you in, constantly surprising you with incidental dialogue from both your own party and those around you as you walk through the world making it feel alive.

The incredible thing for me was how it managed to engage me in the minutia rather than the grand story. You quickly find yourself living for your party, the group you collect from various miscreants you meet on your travels. Each reacts differently, and not always predictably, to your choices. A positive act to one will repulse another and you find yourself trying to tailor your answers to appeal to a favoured party member. It is basically the ‘paragon’ and ‘renegade’ options from developer Bioware’s other big title Mass Effect, but applied on an individual level. More than any overarching morality system could this granular system judgment by individuals highlights the uncertainty of choices, how the game offers no right or wrong, just choices on your quest for a greater good.

My dog, I called him Flopsy.

1 – Demon’s Souls (PS3)

Number one spot (today at least) goes to Demon’s Souls. A PS3 exclusive that has managed to constantly draw me back in. Set in a desolate world, devoid of any real life it is cold and lonely. Despite this it has beauty, not only in the graphic fidelity but also in the design. It is grand and somehow tranquillity when you are not besieged by the soulless abominations that lurk behind every corner. It is an environment I may never want to go there on holiday to but it perfectly fits the fantasy medieval setting.

It is a game that is usually challenging, often punishing and at times seemingly impossible. Progress is slow, but rewarding and even at its most devious you feel like you can make progress, if you just grind a little harder. Of course if you are in need of help there is the interesting online component. Uniquely Japanese in its implementation it allows you to be constantly sharing your world, without every really having to share the experience. In the game you spend most of your time a spirit, but when you resurrect you are able to summon other spirits in to your world to help. Despite this there is no voice, no communication beyond a boilerplate set of comments that you can leave scattered on the ground. It’s co-operative, intelligent but ultimately just serves to make you feel more alone.

Not a game for everyone, but a game for me, and it stands as one of the few games this year that is continually on my mind and will keep me coming back well into 2010.

He looks tired for a reason.

That’s it I guess. I am already remembering games I have forgotten, games like PSN’s Shatter, but if I didn’t remember them then I guess they don’t really count right? Either that or I could just keep adding to this for the rest of 2010 in the hope of suddenly finding some ‘right’ answer to the question “What was your favourite game this year?” The truth is though, I don’t think that epiphany would ever come, because there are just so many good games. There are so many in fact that I can honestly say if I stopped buying games right now it would easily be 2011 before I cleared my backlog. Guess I won’t be doing that though so here is to a costly year of 2010 gaming, kicking off for me at the end of January with Mass Effect 2.